Saturday April 18
9:30am
welcome and breakfast (provided)
10:30-12:00
Panel 1: Rethinking Musical Mediation, McClintock Choral and Recital Room
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In the Middle of the Road: Ives’s Concord Sonata and Conflicting Musical Politics in the Post-WWII Era, Jonathan Bass
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Not Just a Phase: Applying Reich’s 'Music as a Gradual Process' After 1968, Micah Mooney
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Frutiger Aero and Ersatz Nostalgia: How Music Affects Memory of a Nonexistent Place, Blake Cordell
12:00-1:00
lunch
1:00-2:30
Panel 2: Music, Labor, Capital, McClintock Choral and Recital Room
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Vendedores Ambulantes: Their Lives and Labor Embedded Within the Soundscape of Capital, Gia Dreyer
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Oilfield Trash and Proud of It: Singing Blu-Collar Life and Petro-Identity, Claudia Peverini
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Who's Afraid of Mr. B Natural? C. G. Conn and Music Industry History Through Promotional Film, Danielle Kramer
3:00-4:30
Panel 3: Integrating Performance, McClintock Choral and Recital Room
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Composition in the Age of Derivative AI Music: Interactive Music for Disklavier, Kevin Swenson
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Violin Études Redefined through the Integration of Composition, Performance, and Pedagogy, Pauline Ng
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SCISSURA: the divine feminine voice torn by/woven across time, Julia Anne Cordani
Sunday April 19
5:00-6:30
8:00pm
Panel 4: Sonic Practices of Black Futurity, McClintock Choral and Recital Room
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Exhibit B(eat): Grooving In Tomorrow With Janelle Monáe’s Afrofuturism, Raylana Ciceron
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Repairing the Species: Esperanza Spalding’s Sonic Curation of “Endangered Species” (1985/2012), Alejandro Cueto
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Yucky Blucky Fruiturity: Doechii, Dances, and Digital Embodiment, Lauren Adamow
until 10:00
reception
9:30am
10:30-12:00
12:00-1:00
welcome and breakfast (provided)
Panel 5: Processes Past and Present, McClintock Choral and Recital Room
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Bridging the Divide: A Study of Counting Systems Across Musical Contexts, Daniel Aguilar, Jacob Bissonnette, and Chirsten Snell
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Timbre and Labor: Towards a Timbre Praxis / Analyzing Atmosphères (1967), Liam Battle
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Don! Sounding the Cultural Memory of Taiko in Japanese Diaspora, Eric Zheng
lunch
1:00pm
Keynote Lecture, McClintock Choral and Recital Room
Porous Instruments: Synthesizers and the Circulation of Cultural Value, Dr. Jennifer Iverson
until 4:00
reception
Schedule
2026 Meeting
New Music Concert, McClintock Choral and Recital Room
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Machicanible by Daniel Cui
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Meditative Drones by Pauline Ng
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The Part is the Whole by Rodrigo Pascale
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...a development of pride by Patrick Flannery
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Willow by Charlie-Freya Bruggemann
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Yohaku by Edmund Song
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iridescent shadows by Yan Ee Toh
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Birthday Music III by Emre Şener
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Quartet by Hernán Piro
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In the language of the bloom by Akari Komura